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Still, when he realizes that hero Jeezy must have risen above the game - because the real playas are damned and never show their faces - it spawns a kind of elevated gangsta rap that's as pimp-connectable as the most vicious Eazy-E, and yet poignant enough to blow the dust off any cracked soul. was the home team, but as the truly beautiful, steeped-in-soul, biographic key track "The Art of Peer Pressure" finds a reluctant young Kendrick and his friends feeding off the life-force of Young Jeezy's debut album, it's something Clash, Public Enemy, and all other rebel music fans can relate to. He's shamelessly bold about the allure of the trap, contrasting the sickness of his city with the universal feeling of getting homesick, and carrying a Springsteen-sized love for the home team. It is what makes this kid so "good" as he navigates his "mad" city (Compton) with experience and wisdom beyond his years (25). Here, Kendrick is living his life like status and cash were extra credit. Dre, and MC Eiht) and attractive production (from Pharrell, Just Blaze, Tabu, and others). City would be a milestone even without the back-story, offering cool and compelling lyrics, great guests (Drake, Dr. Dre, and the "biggest debut since Illmatic" stuff starts to flow, but Good Kid, M.A.A.D. Top it off with a pre-release XXL Magazine cover that he shared with his label boss and all-around legend Dr.
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A series of killer mixtapes displayed his talent for thought-provoking street lyrics delivered with an attention-grabbing flow, and then there was his membership in the Black Hippy crew with his brethren Ab-Soul, Schoolboy Q, and Jay Rock all issuing solo releases that pleased the "true hip-hop" set, setting the stage for a massive fourth and final. Hip-hop debuts don't come much more "highly anticipated" than Kendrick Lamar's.
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Some people are just born to do certain things, and Kendrick Lamar was born to rap.Purchase and download this album in a wide variety of formats depending on your needs. It is genius like this that makes it easy to see why he is so revered among his peers. Kendrick Lamar is one of the best wordsmiths of this century, he will educate you and inspire you. It is clearly meant to be listened to more than once, and from start to finish. There are numerous nods to hip-hop culture, particularly the gangster rap Kendrick grew up on. Good kid, m.A.A.d city is Kendrick Lamar’s discourse of his past, his present and his future. “You ran outside when you heard my brother cry for help/Held him like a newborn baby and made him feel/Like everything was alright, and a fight he tried to put up/But the type of bullet that stuck had went against his will.” Kendrick Lamar, Sing About Me, I’m Dying of Thirst. The song ends with the same, sinner’s prayer from track one, implying that no matter what, he still has to repent his sins. The beat changes and so does the perspective: lamenting the black-on-black violence, Kendrick’s flair for narration remains elite. The second half, titled I’m Dying of Thirst, adds to this. Taking you on a journey, allowing you to immerse in Kendricks world and understand his greatness. The first half, Sing About Me, begins with a slow and melodic beat to honour his lost acquaintances, contrasting with the immaculate depictions forwarded by Kendrick. My personal favourite is Sing About Me, I’m Dying of Thirst. From witnessing someone with their brains blown out when he was 9, to him recollecting his cousin’s death in ’94, it is easy to see why Kendrick became committed to leaving. m.A.A.d city emphasises Kendrick’s vivid storytelling and traumatic upbringing.
The opening lines, “If Piru’s and Crips all got along, they’d probably gun me down by the end of this song,” indicate Kendrick’s new approach to removing himself from the gang lifestyle, suggesting they could team up against him for denouncing their lifestyle. One-half of the album’s title tracks, it is followed by m.A.A.d city, continuing the narrative. good kid depicts the immediate aftermath of this event, triggering Kendricks realisation of his environment and beginning his resolve to get out of the hood. The previous song, Poetic Justice, ended with Kendrick getting jumped by two hooded men. His seventh track, good kid, acts as a turning point in the story.
Kendrick grew up surrounded by Bloods and although, not a gang member, knew about gang culture, which is referenced throughout his songs. Compton has become synonymous with gang culture and crime, most notably the rivalry between the notorious Blood and Crip gangs. It does not begin the story it sets the stage.Īs the title suggests, Kendrick is the good kid in the mad city. This is the ideal song to introduce the album. “Lord God, I come to you a sinner, and I humbly repent for my sins,” is the first thing we hear, echoing the sinner’s prayer.
Master Spinter’s Daughter is Kendrick’s recollection of the relationship he had when he was 17 with a girl named, Sherane.
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